The idea that Luc and Jean-Pierre Dardenne have an uncanny ability to get right on top of the action in a scene without their camera’s ever feeling intrusive—to actors or viewers—is a common refrain in discussions of the Belgian directors’ electrifying cinema. In this clip from an interview on our new special edition of La promesse, two of the Dardennes’ recurring stars, Olivier Gourmet (also in Rosetta and The Son) and Jérémie Renier (also in L'enfant, Lorna’s Silence, and The Kid with a Bike), discuss the brothers’ distinct brand of realism and what it’s like on the front lines of their sets, where, as Gourmet says, “the camera is another actor.” The experience on La promesse was particularly important for Renier, who was making his debut at age fourteen.
Why Swing Time Is the Greatest of All Dance Films
In this excerpt from an interview on our new edition of the Astaire-Rogers classic, dance critic Brian Seibert explains how beautifully and cleverly the film integrates dance into the structure of a romantic-comedy plot.
A Moody Meditation from the Set of Blue Velvet
In a rarely seen documentary about David Lynch’s 1986 masterpiece, the director and his star, Isabella Rossellini, give their candid impressions about the creative journey they’ve embarked on together.