The idea that Luc and Jean-Pierre Dardenne have an uncanny ability to get right on top of the action in a scene without their camera’s ever feeling intrusive—to actors or viewers—is a common refrain in discussions of the Belgian directors’ electrifying cinema. In this clip from an interview on our new special edition of La promesse, two of the Dardennes’ recurring stars, Olivier Gourmet (also in Rosetta and The Son) and Jérémie Renier (also in L'enfant, Lorna’s Silence, and The Kid with a Bike), discuss the brothers’ distinct brand of realism and what it’s like on the front lines of their sets, where, as Gourmet says, “the camera is another actor.” The experience on La promesse was particularly important for Renier, who was making his debut at age fourteen.
A Hidden Figure of the Czechoslovak New Wave Takes the Spotlight
In this excerpt from an interview on the edition of Diamonds of the Night, film programmer Irena Kovarova talks about the work of one of director Jan Němec’s key collaborators, Ester Krumbachová.
Robert Zemeckis Looks Back on His Debut-Film Jitters
In a new conversation with collaborators Bob Gale and Steven Spielberg, the director of I Wanna Hold Your Hand talks about the terror of being a first-time feature director.
How Carlos Reygadas Plans for the Unexpected
Storyboards have been an important part of the Mexican filmmaker’s process from the beginning of his career. In this interview, he talks about the freedom that meticulous pre-planning allows him on-set.