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This and That

Feb 18, 2015 Don’t Look Now is many things: terrifying, poignant, mysterious, sexy, tragic. That all these disparate qualities are woven together so seamlessly is partly a miracle of cutting, so one must give proper credit to the film’s editor, Graeme Clifford. In...

Feb 10, 2015 The late film scholar beautifully analyzes the visual lyricism of the French master’s legendary short work.

Jan 5, 2015 Who is Tootsie, anyway?

Oct 28, 2014 We were so thrilled to have the privilege of interviewing The Vanishing director George Sluizer at his home in France in May of this year. In this clip from that discussion, the entirety of which can be found on our...

Jul 22, 2014 Jeanne Moreau’s flighty, enigmatic Jackie in Jacques Demy’s poetic drama is in the great tradition of dreamy Demy heroines.

Jul 15, 2014 Ihave an unusually easy way of remembering when I first became fascinated by Robert Bresson’s films. Pickpocket (1959) was the first one I saw, at the old Orson Welles theater in Cambridge, Massachusetts, in my late teens; it was also...

10 Things I Learned: Persona

Production Notes

Mar 30, 2014 1. In 1964, Ingmar Bergman wrote a script for a film titled The Cannibals. It was to star Bibi Andersson, and included a small part for the up-and-coming Norwegian actress Liv Ullmann, but it was ultimately tabled when Bergman became very ill...

Feb 18, 2014 The immediacy of an ongoing war electrifies Alfred Hitchcock’s suspenseful second Hollywood feature.

Feb 13, 2014 Hiroshi Teshigahara may have never quite become a household name, but this uniquely talented Japanese filmmaker, who specialized in existential dramas peppered with surreal avant-garde touches, received a large dose of international acclaim for his 1964 Woman in the Dunes,...

Jan 14, 2014 Jules Dassin’s atmospheric, genre-defining heist thriller combines American virtuosity with French cool.

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