The Criterion Collection
Sneak Peeks
Apr 9, 2014 — As Emily Watson told us in an interview for our release of Breaking the Waves, which comes out next week, she had “hardly been in front of a camera ever before” when she shot Lars von Trier’s devastasting and explicit...
Essays
Apr 8, 2014 — In telling the story of the young outcast Antoine Doinel, François Truffaut was moving both backward and forward in time—recalling his own experience while forging a filmic language that would grow more sophisticated throughout the 1960s.
Production Notes
Mar 30, 2014 — 1. In 1964, Ingmar Bergman wrote a script for a film titled The Cannibals. It was to star Bibi Andersson, and included a small part for the up-and-coming Norwegian actress Liv Ullmann, but it was ultimately tabled when Bergman became very ill...
Features
Mar 26, 2014 — The author recalls his encounters with the great Swedish actress.
Mar 25, 2014 — Silent comedy superstar Harold Lloyd played big dreamers; few were more determined to succeed than the college football player Harold Lamb.
Mar 18, 2014 — In addition to technical brilliance and a humanist message, Akira Kurosawa’s adventure features one of the director’s strongest female characters.
Mar 17, 2014 — Errol Morris’s documentary investigation into the life and theories of Stephen Hawking sets one man against the universe.
Mar 14, 2014 — Did You See This?• A Felliniesque life • A primer on African-American movie history • Errol Morris on the resuscitated A Brief History of Time • Vivian Kubrick’s photos of working with her dad • Winding through Wes Anderson’s world...
Sneak Peeks
Mar 12, 2014 — Rarely does a director go into much detail about what he thinks doesn’t work about one of his own films, but Steven Soderbergh got candid with us in an interview about his disappointment with his 1995 film The Underneath—which he...
Mar 11, 2014 — Presenting five poor, black and white North Carolina preteens as they awaken to love and death, George Washington (2000) tells a common adolescent story, yet the film is distinguished by the poetic, ruminative style of its twenty-five-year-old director, David Gordon...