The Criterion Collection
The legendary actor returns to Closet, where she shares her love for independent American gems such as Barbara Loden’s Wanda and Michael Roemer’s Nothing but a Man, talks about Roberto Rossellini’s work with Ingrid Bergman, and selects Italian cinema classics...
The actor, who stars in Todd Solondz’s Happiness, shares his appreciation for the playwright behind the source material of George Cukor’s Holiday; praises It’s a Mad, Mad, Mad, Mad World as one of the funniest films he has ever seen;...
The writer-director talks about how Federico Fellini and John Waters gave him the passion and confidence to become a filmmaker, shares his poignant experience watching Claudine as a young man, and selects favorites such as Pickup on South Street, Do...
The award-winning actor, best known for Todd Haynes’s May December, champions the twisted pleasure of Memories of Murder, selects favorites featuring his costar Julianne Moore, and talks about the subtle beauty of films like Drive My Car and After Life.
The director of The Tin Drum and Young Törless says a prayer to the spirits of the closet and makes a beeline for a masterpiece by Michelangelo Antonioni.
The philosopher names Trouble in Paradise “Ernst Lubitsch’s ultimate masterpiece,” praises Peter Weir’s early films, and calls the final scene of City Lights “the most sublime ending.”
The writer and director of Safe, Carol, and May December describes the influence that Brief Encounter and Beau travail have had on his work, praises classic Douglas Sirk movies as “the most perfect films ever made,” and gives a shout-out...
The director of She Came to Me and Personal Velocity talks about the most disturbing films she has ever seen, the sad humor of Miloš Forman, and the poetic-realist masterpiece that might be her favorite movie of all time.
The front man of the band Neon Indian—who just released his debut solo album, World of Hassle—praises the “completely demented” Maîtresse, discusses the representation of Texas in True Stories, and gives us his best Peter Falk impression.
The Palme d’Or–winning Belgian duo talk about their friends Jane Campion and Cristian Mungiu, a Krzysztof Kieślowski masterpiece that has influenced their own work, and the “profound loneliness” of Barbara Loden’s Wanda.