The Criterion Collection
The Daily
May 19, 2017 — We’ll get to the film at hand in a moment, but first—and just briefly—there’s no getting around the controversy that’s all but dominated the first couple of days at this year’s Cannes Film Festival. It began, really, when the festival...
Jul 22, 2015 — Stephen Frears brings a playful and shimmering cinematic quality to Hanif Kureishi’s multilayered script about a Pakistani immigrant community in Margaret Thatcher–era London.
Mar 11, 2015 — More than thirty years after his death in 1977, Roberto Rossellini is remembered by your average film buff as the father of Italian neorealism (Rome, Open City, 1945; Paisan, 1946; Germany Year Zero, 1948) and of actress and model Isabella...
Dec 22, 2011 — Performances Ingmar Bergman had originally envisioned Ingrid Bergman in the role of Helena Ekdahl, the matriarch who presides over Fanny and Alexander (1982) like a benevolent, gloriously red-swathed empress. The actress, however, who had already been ailing while shooting the...
Nov 25, 2010 — Five Easy Pieces is not a statement about America but a closely observed report. Or, perhaps, a confession.
Essays
Dec 11, 1989 — Michelangelo Antonioni’s classic divided film history into that which came before and that which was possible after its epochal appearance.
The Daily
Jun 5, 2026 — A series of films Malle made in the U.S. opens with an excellent documentary on the director’s life and work.
The Daily
Dec 11, 2018 — As critics list their favorite television shows of 2018, we take a look at some of the most notable writing about a few of their picks.
Oct 9, 2018 — In a world vulnerable to authoritarianism, Rainer Werner Fassbinder’s television epic stands as an example of how an artist can speak to a broad audience about revolutionary politics.
Apr 21, 2008 — Juan Antonio Bardem combines neorealism with noir thriller to create a new dialect that would forge a new Spanish cinematic language.