The Criterion Collection
The Daily
Aug 12, 2019 — This month we’re looking at titles by or about Chantal Akerman, Orson Welles, Chris Marker, Kathleen Collins, and many more filmmakers and writers.
The Daily
Aug 6, 2019 — The groundbreaking filmmaker had a hand in inventing—and then reinventing over and again—the modern documentary.
Features
Aug 6, 2019 — Once, in 1977, Werner Herzog read a news item about a volcano that was supposed to erupt in Guadeloupe and one man living there who refused to evacuate with the rest of the island’s population. Herzog being Herzog, he immediately...
Jul 30, 2019 — One Scene Though he works in the highly stylized realm of the horror genre, Ari Aster’s acute attention to the fraught dynamics of intimate relationships—evident in his psychologically penetrating new film Midsommar—makes it easy to see how he draws inspiration...
Features
Jul 25, 2019 — My first three films—Angela, Personal Velocity, and The Ballad of Jack and Rose—are all mysteries of female identity, how it can be warped, destroyed, or saved, particularly in the context of family and sexual love. These films are highly charged...
Features
Jul 10, 2019 — En route to the Czech Republic’s Karlovy Vary Film Festival in the summer of 2006, I stopped off for some sightseeing in Prague. Having dutifully made the rounds of the city’s hopping tourist spots, I retreated to my bare-bones hotel...
Essays
Jul 9, 2019 — Agnieszka Holland’s 1990 film Europa Europa recounts the incredible but true story of how Salomon Perel, born in 1925 in Germany to a Polish Jewish family, survived the Holocaust by posing as a pure Aryan German raised in Poland. Recruited...
The Daily
Jun 26, 2019 — After Franju’s Eyes Without a Face, the French actress starred in films by Duvivier, Buñuel, Ruiz, Rivette, Assayas, and Hansen-Løve.
Jun 26, 2019 — Boasting the longest, most versatile career of any Czechoslovak New Waver, the late master made films mixed with deep compassion and an antiauthoritarian spirit.
Jun 24, 2019 — A work of rapturous energy, John Cameron Mitchell’s beloved debut feature is a freewheeling rock-and-roll musical suffused with heartbreak and pleasure.