The Criterion Collection
On the Channel
Oct 29, 2018 — Professor Jeff Smith breaks down how François Truffaut’s loving tribute to the crime genre Shoot the Piano Player uses anamorphic widescreen compositions to stylish effect.
The Daily
Oct 29, 2018 — At eighty-six, the renowned director and screenwriter stars in Kenneth Lonergan’s The Waverly Gallery.
On the Channel
Oct 26, 2018 — An important update about our streaming service
The Daily
Oct 24, 2018 — A series in London that skirts outright horror is somehow just right for Halloween.
The Daily
Oct 23, 2018 — Jon S. Baird and his cast offer a winning tribute to Laurel and Hardy.
The Daily
Oct 19, 2018 — Here’s a taste of what the critics have been saying about the nominees.
Oct 18, 2018 — Separated by more than a decade in Ingmar Bergman’s filmography, these two formally masterful dramas uncover the ugliness of male aggression and brutality.
The Daily
Oct 18, 2018 — An autumnal round of reviews, excerpts, interviews, and news.
Oct 17, 2018 — A public-television commission intended to raise class consciousness, Eight Hours Don’t Make a Day inspired heated debates about its political orientation.
Essays
Oct 16, 2018 — Seen as a light-hearted farce upon its release, this star-studded comedy by Hal Ashby stands as one of Hollywood’s most prescient portraits of post-Watergate politics.