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Jun 12, 2019 — One Scene One of the most talked-about movies at this year’s Sundance, The Last Black Man in San Francisco is both a rhapsodic portrait of first-time director Joe Talbot’s native city and a mournful look at how gentrification, income inequality,...

Jun 10, 2019 — The new issue focuses on the impact of Alfonso Cuarón’s Roma, women’s film criticism, and Hollywood’s international productions.

May 30, 2019 — The star of classics directed by Kurosawa, Mizoguchi, Kinugasa, Ozu, Ichikawa, and Teshigahara was ninety-five.

May 28, 2019 — Nadine Labaki’s jury has selected an eclectic range of award winners from this year’s program.

May 28, 2019 — Songbook Some songs are so beautiful that it takes six or seven or fifty listens before you really hear the words. High on the list of the greatest American songwriters, Jerome Kern crafted many such melodies: perfect enough to momentarily...

May 22, 2019 — Claudia Weill, the director of the landmark independent film Girlfriends (1978), first knew she wanted to make movies in college, after a summer job on a set opened her eyes to the fully immersive process of filmmaking. But it was...

May 20, 2019 — Setting the Haiti of 1962 next to present-day Paris, Bonello weighs the impact of French colonialism.

May 20, 2019 — Triple crosses follow double crosses in this slick crime thriller.

May 20, 2019 — For many, the semi-autobiographical film is one of Almodóvar’s best in years.

May 19, 2019 — Critics are finding the young Russian director’s second feature to be bleak yet irresistibly masterful.