Jan 13, 2021 — About a decade ago, I went to see Welcome, or No Trespassing at Spectacle. It’s still the only time I’ve known anyone to project the movie, a 1964 satire of Soviet summer camps that was the debut feature of Elem...

Dec 8, 2020 — Frederick Wiseman’s documentary ranks high in the latest round of lists of the best films and television of 2020.

Dec 7, 2020 — As early reviews of Let Them All Talk come in, Steven Soderbergh discusses the state of the movies following the collapse of the theatrical window.

Dec 1, 2020 — The new Artforum features top tens from John Waters and Amy Taubin as more best-of-2020 lists pop up in Time and Sight & Sound.

Nov 20, 2020 — Standing before his friend Basil Hallward’s portrait of him, the paint barely dry, Dorian Gray implores to some unseen force: “If it were I who was to be always young, and the picture that was to grow old . ....

Nov 9, 2020 — Critics find the story behind the writing of Citizen Kane steeped in all the glory and sleaze of Old Hollywood.

Oct 20, 2020 — Despite the preponderance of tales of coming of age and sexual awakening in American independent cinema, it’s still rare to encounter a movie that deals with experiences of intimacy between young LGBT characters in a way that feels honest, candid,...

Oct 16, 2020 — This week we’re reading Jacques Rancière on Pedro Costa, J. Hoberman on Pietro Marcello and Jack London, and Sasha Frere-Jones on Jóhann Jóhannsson.

Oct 7, 2020 — Martin Scorsese’s World Cinema Project No. 3 Spanning almost fifty years and four continents, Criterion’s recently released third collection of films restored by The Film Foundation’s World Cinema Project is a treasure trove of discoveries, each illuminated by a unique...

Sep 22, 2020 — The New Yorker’s music critic traces the history of the composer’s impact on art, culture, and the movies.

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