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A Misappropriated Turkey

Aug 13, 2020 First Person In 1960 The Apartment was playing at Cinema Rialto and was advertised with a loud red poster. I was too young to see it at the time, but I do recall overhearing my parents describing it to their...

Aug 13, 2020 Today on the Current we launched a new series called First Person, in which we’re inviting writers from around the world to reflect on their most unforgettable moviegoing experiences. While developing the series, we were looking for good stories, beautiful...

Aug 11, 2020 The Complete Films of Agnès Varda In September 2018, I screened Agnès Varda and JR’s Faces Places for the Michigan State University Film Collective. We had a lively discussion that went past the scheduled ending time. As I was getting...

Aug 11, 2020 The Complete Films of Agnès Varda It’s the other famous shot in The Gleaners and I (2000) of Agnès Varda’s reaching hands. Not the one she said was taught around the world as the heart of her documentary-making, where, in...

Aug 11, 2020 I’ve often found that the most successful short films and short stories apply what Ernest Hemingway called the “iceberg theory,” distilling a larger narrative into a very specific moment that allows audiences to infer the bigger picture in their own...

Postpandemic Plans

The Daily

Aug 11, 2020 Gina Prince-Bythewood, Pedro Almodóvar, Ellen Kuras, and Paolo Sorrentino are among the filmmakers who have lined up projects to take on as soon as it’s safe.

Aug 10, 2020 A slyly feminist film by the only woman directing in the Hollywood studio system of her thirties-and-early-forties heyday, Dorothy Arzner’s Dance, Girl, Dance stands as one of the era’s most groundbreaking—and entertaining—backstage sagas. And as it turned out, a different...

Summer Travels

The Daily

Aug 7, 2020 This week we’re reading about Setsuko Hara, Satyajit Ray, Buster Keaton, Rita Azevedo Gomes, and Beyoncé.

Aug 6, 2020 The renowned documentarian allows prisoners in Iran to tell their own stories.

Aug 5, 2020 Lucrecia Martel, Lav Diaz, Helena Wittmann, and Lisandro Alonso are among the directors who will present projects interrupted by the pandemic.

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