The Criterion Collection
Apr 5, 2017 — At eighty-eight years old, Agnès Varda is still blossoming as an artist. Long known primarily as a filmmaker, a vocation she took up more than half a century ago, the French iconoclast is now in what she gleefully describes as...
In Theaters
Jun 16, 2016 — Repertory PicksThis week, Miloš Forman’s 1965 masterwork Loves of a Blonde will close out the series Female Sexuality in European Cinema at the Alamo Drafthouse Ritz theater in Austin, Texas. This three-act Czech New Wave classic offers a tender portrait...
Short Takes
Feb 20, 2015 — In time for this year’s Academy Awards ceremony, we wanted to celebrate all the incredible women who have been nominated for best actress Oscars for their roles in Criterion titles. They range from the 1930s to the 2010s, and include...
In Theaters
Oct 16, 2014 — Repertory PicksThe Loft Cinema in Tucson, Arizona, is kicking off its annual Loft Film Fest tonight with a very special event. The Pulitzer Prize–winning novelist and screenwriter Larry McMurtry will appear in person for a screening of The Last Picture...
Jul 28, 2014 — Jacques Demy’s first full-fledged storybook fantasy challenges and subverts traditional fairy-tale norms.
Nov 18, 2013 — When Tokyo Story was released in late 1953, Western audiences were just being exposed to Japanese cinema. Akira Kurosawa had made his breakthrough with Rashomon three years earlier, and Kenji Mizoguchi was moving to the forefront of the international festival...
Oct 4, 2013 — Did You See This?• Guillermo del Toro goes to Springfield and enters a Cabinet of Curiosities. • Call Lena Dunham—there’s a new girl in town. • The art of the vamp • A glimpse of the latest from Costa-Gavras •...
Jul 22, 2013 — Gabriel Axel’s exquisite adaptation of Isak Dinesen’s short tale of grace through art provides spiritual and sensual sustenance.
Jul 31, 2012 — Aki Kaurismäki’s latest working-class fable is his warmest, and his most political.
Essays
Sep 19, 2011 — When Claude Chabrol’s first film, Le beau Serge, had its premiere at the 1958 Cannes Film Festival (out of competition), a fellow critic at Cahiers du cinéma, François Truffaut, wrote: “Technically, the film is as masterly as if Chabrol had...