The Criterion Collection
On the Channel
Oct 27, 2022 — Take a stroll down some of film noir’s darkest alleys with our Fox Noir collection and tributes to genre stars John Garfield and Veronica Lake.
Jan 12, 2021 — In the course of selling or promoting a film, a director will invariably be asked, “What’s this movie really about?” The desired answer is usually predetermined—marketers want a concise, two-sentence hook; reporters want a sound bite; critics want a thesis...
On the Channel
Oct 30, 2020 — Channel Calendars With Thanksgiving around the corner, we’re grateful to the tireless preservationists who keep film history alive. Founded by Martin Scorsese in 1990, The Film Foundation has been an indispensable pillar of moving-image culture for the past three decades,...
Essays
Aug 11, 2020 — The Complete Films of Agnès Varda In September 2018, I screened Agnès Varda and JR’s Faces Places for the Michigan State University Film Collective. We had a lively discussion that went past the scheduled ending time. As I was getting...
Aug 3, 2020 — The British director of sprightly musicals, wrenching family dramas, and gripping political thrillers was seventy-six.
Features
Dec 30, 2019 — We asked some of our friends if they had underappreciated films from the past decade that they wanted to champion. Here’s what they chose.
Aug 27, 2019 — In 1986, having made a number of child-centered films in his position as the head of the filmmaking division at Iran’s Center for the Intellectual Development of Children and Young Adults (an organization Iranians call Kanoon), Abbas Kiarostami accepted a...
The Daily
May 19, 2019 — The Austrian director, a Cannes regular, is in competition for the first time with a chilly tale of a happiness-inducing flower.
The Daily
Feb 4, 2019 — All four of this year’s top prizewinners have been directed or codirected by women.
Visual Analysis
Sep 9, 2018 — Under the Influence Whether he’s exploring the dynamics of a family in crisis or putting his own spin on the body horror genre, Norwegian director Joachim Trier always returns to the subjective experience of time and memory as a central...