The Criterion Collection
Feb 1, 2011 — When Krzysztof Kieślowski’s The Double Life of Véronique was first screened at Cannes, in 1991, the critical reception was rapturous. Georgia Brown declared in the Village Voice, “Anything I say about [the film] is merely a labored minuet danced around...
Mar 16, 2010 — More than a decade after his death in 1997, the moment is right for the rediscovery of the work of Marco Ferreri. “I think he’s modern. More than modern, in fact,” frequent collaborator Marcello Mastroianni once remarked, encapsulating how far...
Oct 16, 2006 — Screenwriter Carlos Cuarón delves into the character played by Claudia Ramírez
Feb 14, 2002 — Robert Bresson’s second feature is fixed in history as one of the movies that heralded an austere, modernistic way of seeing and feeling.
The Daily
Sep 23, 2020 — From Hitchcock’s orbit to The Architecture of Cinematic Spaces, here’s some of this month’s best writing on new books.
May 8, 2017 — Writer Durga Chew-Bose explores her personal connection to Uma Das Gupta’s quietly captivating performance as a carefree young girl in the masterful opening installment of The Apu Trilogy.
The Daily
Dec 1, 2025 — One of the most vital playwrights of our era was also an award-winning screenwriter.
The Daily
Jul 31, 2025 — Series celebrating a giant of American cinema are on in Boston, Chicago, Berkeley, and Los Angeles.
Jan 7, 2021 — That Obscure Object of Desire (1977) is often referred to as Luis Buñuel’s “testament” work, the apotheosis of his remarkable career as a filmmaker. It perfectly blends the type of outrageous surrealism he pioneered in the late twenties and early...
Nov 18, 2020 — In Chris Marker’s Sans Soleil (1983), often considered the essay film, we meet the wildcat video game designer Hayao Yamaneko, who imports scenes from his life into his memory machine. The machine is shown only in parts: a slider being...