Inte Ett Riktigt Jobb

Apr 20, 2009 — The French scientist-educator-filmmaker Jean Painlevé’s groundbreaking work consistently revealed not only a commitment to informed science and effective communication but to the creative expression of ideas.

Apr 19, 2009 — “Why Sam Fuller?” a new essay by Tag Gallagher, in the latest issue of Senses of Cinema, asks. Aficionados might wonder, why even ask? But perhaps they forget that the two-fisted termite art of this now much-heralded genre filmmaker was...

Apr 15, 2009 — Many a morning have we staggered into work, bleary-eyed, from staying up late to watch some unexpected treat on Turner Classic Movies. So on this, TCM’s fifteenth anniversary, we’d like to thank the invaluable cable station for the memories—and the...

Apr 9, 2009 — Andrzej Wajda’s Danton engages the subject of the French Revolution in a daring way. The Polish director took a very dim view of the events, a rather controversial perspective in France, where it was made, in 1983. In interviews on...

Apr 9, 2009 — The first time I “met” Max was in May of 1959, when Bergman’s stunning production of Urfaust came to London for just one week in the World Theatre Season. Groupie of all things Swedish that I was, I waited outside...

Apr 6, 2009 — What do Orson Welles, François Truffaut, Mike Nichols, and Peanuts have in common? According to critic Matt Zoller Seitz, they’re just a few of the many influences on Wes Anderson’s films, and in a lovingly assembled and keenly edited five-part...

Apr 2, 2009 — Writing the screenplay with Suzanne Schiffman, I intended to do for the theater what I had done for the cinema in Day for Night: the chronicle of a troupe at work, within a framework respecting the unities of place, time,...

Mar 30, 2009 — Among the great Polish filmmakers—Krzysztof Kieslowski, Krzysztof Zanussi, Agnieszka Holland, Roman Polanski—Andrzej Wajda stands out as the one most concerned with national identity and memory.

Mar 23, 2009 — The most crowd-pleasing film of François Truffaut’s latter career is also one of his most personal, drawing from his memories of the German occupation of France, his schoolboy years and his lifelong infatuation with the creative arts.

Mar 17, 2009 — Remember Uncle Monty’s “horrible shack,” that forbidding slab of stone and mortar Marwood and Withnail escape to in the cult classic Withnail and I? Well, the real name of that Lake District cottage is Crow Crag, and after years of...