This Must Be the Place

Oct 19, 2009 — Though known primarily for her wildly varied, continent-hopping features (Salaam Bombay!, Mississippi Masala, Vanity Fair, The Namesake), Indian director Mira Nair has for the past three decades also been forging a parallel career of short filmmaking. Both fiction (Migration, How...

Feb 13, 2006 — John Ford’s biographical drama portrays an imaginary antebellum America with relaxed humor and effortless nostalgic charm while sustaining an underlying note of somber apprehension.

Sep 23, 1993 — Two men, one woman and a boy. French director Bertrand Blier fashions out of this bizarre love quadrangle a film of seamless beauty, high farce and, finally, haunting majesty. To experience Get Out Your Handkerchiefs is to watch a master...

Jun 5, 2026 — We’re wrapping the week with conversations with Lilly Wachowski, Shunji Iwai, and Tsui Hark as well as essays on Ozu and Ghatak.

Feb 2, 2024 — The week brings the final issue of Cinema Scope, a revival of Not a Pretty Picture, and a series of films starring Jean Arthur.

Oct 10, 2017 — Two singing mermaid sisters take 1980s Poland by storm in this extravagantly mounted musical-horror hybrid.

Nov 20, 2020 — Standing before his friend Basil Hallward’s portrait of him, the paint barely dry, Dorian Gray implores to some unseen force: “If it were I who was to be always young, and the picture that was to grow old . ....

Sep 28, 2015 — Rarely has schizophrenia been closer to the surface of American cinema than in the transitional period of 1968–71. Hollywood had just abandoned its censorship code after nearly thirty-five years, and the behemoth studios were heaving and rattling into oblivion or...

Nov 15, 2011 — “The day I can buy toilet paper in a Polish store, I’ll discuss politics,” Krzysztof Kieślowski told an interviewer in 1989, as he brushed aside a question. He was speaking at the Montreal Film Festival, where he was serving on...

May 9, 2005 — Les Blank’s documentary examines the interaction of premodern tribal existence with European modernity, epitomized by a movie narrative about the invidious clash of brute nature and a singular ego bent on his own mission of cultural enlightenment.