The Criterion Collection
Sep 18, 2017 — The wide-open vistas of Montana are the backdrop for three interlocking stories about women confronting the disappointments of small-town life.
Jun 14, 2017 — A tireless explorer of cinema’s discarded past, Bill Morrison brings his unique approach to found-footage filmmaking to his latest project, a documentary about lost reels of nitrate film found in Canada’s Yukon Territory.
Jun 12, 2017 — Informed by his work in theater and his travels through rural America, Nicholas Ray brought an outsider’s perspective to genre filmmaking in his debut feature.
Features
Apr 2, 2017 — What defines noir acting? In her latest Dark Passages column, Imogen Sara Smith examines the stylistic variety in some of the genre’s most iconic male performances, including Burt Lancaster in The Killers and Ralph Meeker in Kiss Me Deadly.
Short Takes
Feb 27, 2017 — Last month, the world of silent-film history lost one of its most active proponents and preservationists.
On the Channel
Nov 11, 2016 — This week’s Friday Night Double Feature on the Criterion Channel demonstrates how much suspense a superb director can wring from an intriguing premise without resorting to yelling “boo!” or splashing gore.
Nov 2, 2016 — The morning after opening his first theater in Brooklyn, Alamo Drafthouse cofounder stopped by Criterion to chat about his life as a collector
Interviews
Jul 6, 2016 — The screenwriter and director chats about the origins of his 2015 debut feature, Les cowboys, the differing experiences of being a screenwriter and a director, and his voracious consumption of cinema.
Apr 18, 2016 — In partnership with Sony Pictures Home Entertainment, select Criterion titles are now available for purchase on Blu-ray in the United Kingdom, both in stores and online.
In Theaters
Jan 8, 2016 — In March of 1967, Bosley Crowther, then the film critic for the New York Times, wrote about Orson Welles’s Chimes at Midnight, penning what is now considered one of his most famously wrong-headed reviews.