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Dec 17, 2017 “He’s joking all the time if he feels he has an audience,” Barbet Schroeder said of Idi Amin in a 1976 New York Post interview.I think we know the type.Ugandan dictator Amin, the subject of Schroeder’s 1974 documentary General Idi Amin Dada: A...

Jul 24, 2017 This month, the United Kingdom welcomes Criterion editions of two immersive masterworks of world cinema: Edward Yang’s 1991 coming-of-age epic A Brighter Summer Day and Andrei Tarkovsky’s 1979 metaphysical odyssey Stalker. Head over to Amazon to check out our full...

Apr 21, 2017 Did You See This? With its startling mix of tones and genres, Jonathan Demme’s 1986 Something Wild captures the destabilizing experience of falling in love. Kim Morgan looks back on this “moody, transgressive, genre-bending, weirdly romantic (and unromantic)” comedic thriller...

Nov 25, 2015 Repertory PicksDecember is but a few days away, so it’s an ideal time to revisit Metropolitan, Whit Stillman’s classic holiday tale of New York's “urban haute bourgeoisie.” And this week, the director's influential 1990 gem will screen in Florida at...

Oct 1, 2015 We may live in a world overloaded with lists, but certain list makers can’t be ignored. Case in point: director Errol Morris has been invited to this year’s International Documentary Film Festival Amsterdam to present ten nonfiction films he finds...

Sep 14, 2015 Our CEO commemorates Criterion’s cofounder, who was also a friend, partner, and father figure.

Dec 18, 2014 Becoming Dorothy Michaels in Tootsie was as much a revelation for Dustin Hoffman as for his character, Michael Dorsey. In this short excerpt from a much longer interview on our new release of Sydney Pollack’s great comedy, the Oscar winner...

Jun 19, 2014 PerformancesTime has added some latter-day ironies to All That Heaven Allows, and not just the revelation that its star Rock Hudson was gay. There’s also the political career of Ronald Reagan, the ex-husband of Hudson’s costar, Jane Wyman—built on the...

Feb 4, 2014 When François Truffaut was a twenty-three-year-old film critic, in 1955, he read an autobiographical first novel by a seventy-four-year-old writer, Henri-Pierre Roché. “The book overwhelmed me,” he later recalled, “and I wrote: If I ever succeed in making films, I...

Jan 8, 2013 01   Because it’s the purest American road movie ever.  02   Because it’s like a drive-in movie directed by a French new wave director.  03   Because the only thing that can get between a boy and his car obsession is a...

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