The Criterion Collection
Sep 24, 2015 — Bruce Beresford critiques the British colonialist era in this precise, layered adaptation of a 1939 novel by Joyce Cary.
Sep 21, 2015 — Krzysztof Kieślowski’s political and philosophical rumination, which marked an important turning point in the director's career, imagines a young man's life branching off in three possible directions.
In Theaters
Sep 4, 2015 — Repertory PicksLook what’s on the cover of Pasatiempo, the Santa Fe New Mexican’s weekly arts magazine, this morning! Robert Montgomery’s brilliant if underseen 1947 noir Ride the Pink Horse is screening tonight at the city’s Jean Cocteau Cinema, to coincide...
Short Takes
Aug 5, 2015 — Night and the City was made in 1950, under circumstances almost as tense as those in the film. Knowing he was about to be blacklisted during the Communist witch hunts of the McCarthy era, director Jules Dassin fled to London,...
Aug 3, 2015 — On film noir’s unparalleled roster of resonant titles—Kiss of Death, Out of the Past, and Where Danger Lives, to name three—none is more emblematic or iconographically cogent than Night and the City. Juxtaposing two of noir’s essential, virtually ontological qualities,...
Jul 30, 2015 — It is now thirty years since the release of Stephen Frears’s film, which was both a product of and a response to the social and political landscape of 1980s Britain and depicted the lives of Pakistani immigrants with wit and...
Sneak Peeks
Mar 23, 2015 — When we think of film noir, we think of shadowy city streets, often in Los Angeles or New York. But Robert Montgomery’s Ride the Pink Horse, which we released last week, is one of a handful of dark-toned films made...
Jan 13, 2015 — Rainer Werner Fassbinder’s characters play an endlessly layered game of dress-up in this tale of sadomasochistic love.
Sneak Peeks
Dec 12, 2014 — A supplemental feature on our edition of the film documents the brilliant work of costume designer James Acheson and production designer Milly Burns.
Production Notes
Nov 19, 2014 — While revisiting the films for their Criterion release, director Monte Hellman returned to shooting locations, many of which are now underwater; found and interviewed Calvin Johnson, the chief wrangler on both films; and discovered something new in a take of...