The Criterion Collection
Nov 13, 2012 — Rejecting the orientalism of other adaptations, Pier Paolo Pasolini’s take on the classic tales is humane and erotic.
Sep 27, 2012 — Franc Roddam, the director of Quadrophenia, got his start working for British television in the seventies, making award-winning films like Mini and Dummy and the fly-on-the-wall series The Family. His other feature films include The Lords of Discipline, The Bride,...
Jun 26, 2012 — Hiroshi Inagaki’s action epic is as responsible for creating Toshiro Mifune’s legendary cinematic persona as the films of Kurosawa.
Interviews
Jun 7, 2012 — In this classic self-interview, published to coincide with the release of Summer with Monika, the director reveals key elements of his filmmaking process.
May 16, 2012 — Chuck Klosterman is the author of seven books (most recently, The Visible Man and Eating the Dinosaur) and serves as an accidental narrator of the LCD Soundsystem documentary Shut Up and Play the Hits. Of compiling this list, Klosterman says,...
Apr 18, 2012 — Born in Queens, New York, American television writer and producer Phil Rosenthal is best known as the creator of the hit sitcom Everybody Loves Raymond, which ran on CBS for nine seasons; he is also the director of the 2010...
Jan 19, 2012 — Writer, teacher, and performer Susie Bright is a trailblazer in the academic study of pornography and eroticism in mainstream cinema. The sex-positive feminist is the author of the books Susie Bright’s Erotic Screen, Volume 1: 1967–1989 and Big Sex Little...
Nov 29, 2011 — Author Michael Korda (Charmed Lives: A Family Romance) writes: Few things are more challenging than picking ten favorites out of such a long list of distinguished films as that of Criterion, and it seems only fair to point out that,...
Oct 21, 2011 — Our favorite Finn didn’t have an easy time picking his ten favorite titles in the Criterion Collection. On the eve of Janus Films’ 2011 release of his Le Havre, Aki Kaurismäki had this to say: “I didn’t really concentrate for...
Oct 4, 2011 — Masaki Kobayashi rejects the notion of individual submission to the group, condemning the hierarchical structures that pervaded Japanese political and social life in the 1950s and 1960s.