Mar 31, 2021 It has seemed to me for a long time that there is far too little screaming about Albert Brooks. It has seemed that way to all of his staunchest fans, who secretly relish being among the evolved few who know...

Mar 30, 2021 Mike Leigh’s midcareer masterpiece is one of the finest examples of his ability to construct riveting drama from ordinary life.

Mar 29, 2021 Channel Calendars Next month, the Criterion Channel ups the ante with a collection of some of the greatest films ever made about the pulse-racing highs and gutter-dwelling lows of gambling. We’re also dealing out the Marx Brothers’ anarchic comedies, sublime...

Mar 26, 2021 Today’s round features writing on Catherine Breillat, William Greaves, Thom Andersen, and Patricia Highsmith.

Mar 25, 2021 In With Ossie and Ruby: In This Life Together, an autobiography cowritten by legendary creative and life partners Ossie Davis and Ruby Dee, Dee tells the story of working as a screenwriter on 1968’s Uptight. It’s a brief account, about...

Mar 25, 2021 One of the most beloved performers of the 1970s staged two comebacks in his later years.

Mar 24, 2021 Performances By the time The Manchurian Candidate was released in 1962, Frank Sinatra had been on American screens and in American hearts for nearly two decades. His bobby-soxers had been displaced by Elvis fans, who had been displaced by Beatles...

Mar 23, 2021 With the participation of Wong Kar Wai’s production company, Jet Tone Films, and collaborating with L’Immagine Ritrovata and One Cool, the Criterion Collection undertook meticulous restorations of seven of the director’s films, five of which—Chungking Express, Fallen Angels, Happy Together,...

SXSW 2021 Awards

The Daily

Mar 22, 2021 Here’s what the critics have been saying about the winners of the two main competitions.

Mar 19, 2021 As skillful at capturing people’s essences as she is at conveying the textures and patterns of haute couture, Brooklyn-based artist Lauren Tamaki has brightened up the pages of such publications as New York Times and the New Yorker with her...

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