The Criterion Collection
Essays
Dec 18, 2018 — Half a century before Julien Duvivier made his 1946 film Panique, the French social psychologist Gustave Le Bon published his influential study of mob behavior, The Crowd: A Study of the Popular Mind, in which he argued that recent upheavals in...
Dec 17, 2018 — Secrets from the past are always surfacing in melodramas, altering or illuminating the landscape of the present. So it seems fitting that director John M. Stahl, one of Hollywood’s great masters of melodrama, had a past that is only now...
Dec 14, 2018 — “It’s sad to say, but women do not have much importance in westerns,” observed Anthony Mann, a master of the genre, in a 1957 Cahiers du cinéma interview. Made that same year, Samuel Fuller’s Forty Guns begins with a whopper...
Dec 11, 2018 — Note: The terms black and white were part of the way racial categories were referred to in South Africa under apartheid. Other terms, like nonwhite and non-European, were also used to mark racial segregation. In the following essay, the term...
Dec 9, 2018 — Songbook The final scene of Robert Altman’s 1975 film Nashville belongs to the transient wannabe singer Albuquerque, played by the late Barbara Harris. Up to that point, the storyline has followed numerous musician characters who are striving to get discovered or bolster...
Dec 3, 2018 — True Stories, David Byrne’s 1986 paean to American eccentricity and ordinariness, called to me from the shelves of a video store in Austin, Texas. Subtitled “A Film About a Bunch of People in Virgil, Texas,” True Stories is not “true”...
Nov 5, 2018 — With the gradual rollout of his two-part semi-musical, Wang is seeing his strongest reviews yet.
On the Channel
Oct 23, 2018 — The complicated bond between a pair of identical twins takes center stage in the stylish short film An Act of Love, now playing on the Criterion Channel on FilmStruck.
The Daily
Sep 21, 2018 — This week’s round of five highlights begins with a new column and a new issue of Film Quarterly.
Sep 17, 2018 — Critics pick their favorite premieres of the season, and Toronto audiences vote up a surprise winner.