The Criterion Collection
Film journalist Craigh Barboza teaches at New York University and has written for Cineaste, Film Comment, and the Hollywood Reporter. His book John Singleton: Interviews, a study of the director’s work, is part of the series Conversations with Filmmakers (University...
Vinson Cunningham is a staff writer and critic for the New Yorker. He was a finalist for the Pulitzer Prize for Criticism in 2024 and 2025. His 2024 debut novel, Great Expectations, was a finalist for the National Book Critics...
David Kamp is a longtime contributing editor at Vanity Fair, where he has profiled such major figures of American culture as John Hughes, Sly Stone, Johnny Cash, Norman Rockwell, and Bruce Springsteen. He is also the author of, among other...
Giulia D’Agnolo Vallan is a New York–based film writer and curator, and U.S. programmer and selection committee member of the Venice Film Festival. From 2003 to 2006, she was the codirector of the Torino Film Festival. Among her books are...
Graham Petrie, professor emeritus at McMaster University in Canada, is the author of books on François Truffaut, Andrei Tarkovsky (with Vida T. Johnson), and Hungarian cinema, as well as Hollywood Destinies: European Directors in America, 1922–1931, which has a section...
Paul Mayersberg started as a film critic, worked as an assistant to Jean-Pierre Melville, Joseph Losey, and Roger Corman, and became the screenwriter of The Man Who Fell to Earth, Merry Christmas Mr. Lawrence, Eureka, and Croupier. He is the...
Tag Gallagher has written books on John Ford and Roberto Rossellini, as well as numerous articles, and produced video analyses of Rossellini, Ford, Ophuls, Hawks, Preminger, Dreyer, and von Sternberg.
Colin MacCabe is Distinguished Professor of English and Film at the University of Pittsburgh. His most recent film production is The Seasons in Quincy: Four Portraits of John Berger (2015). His collection Perpetual Carnival: Essays on Film and Literature was...
Jonathan Lethem is the author of thirteen novels, including Chronic City and Brooklyn Crime Novel. His writings and commentaries on film include the monograph They Live; liner notes for releases of Robert Siodmak’s The Killers, Thom Andersen’s Red Hollywood, Orson...
Lesley Brill is the author of The Hitchcock Romance (Princeton, 1988) and John Huston's Filmmaking (Cambridge, 1997). He teaches film studies at Wayne State University, Detroit.