The Criterion Collection
Sep 28, 2022 — A long-obscure landmark of the Iranian New Wave, Mohammad Reza Aslani’s daringly ambiguous portrait of feudalism’s demise mirrors the revolutionary times in which it was made.
The Daily
Sep 9, 2022 — New films by Andrew Dominik, Paul Schrader, Rebecca Zlotowski, Alice Diop, and Florian Zeller premiere in Venice.
Jul 26, 2022 — A seductive brew of decadence, dada, and drag, the German director’s fantastical films embrace the possibilities of female visual pleasure.
Essays
Jul 19, 2022 — Centered on a grieving theater director and his driver, Ryusuke Hamaguchi’s Oscar-winning drama is a quiet meditation on the mysteries of communication, the flexibility of truth, and the search for honesty.
The Daily
Jun 29, 2022 — A fresh round on biographies and studies of filmmakers and actors as well as a few novel ideas and critical collections.
Mar 15, 2022 — The story of queerness in American cinema isn’t complete without the unusual case of These Three (1936) and The Children’s Hour (1961). Both films are based on Lillian Hellman’s 1934 play The Children’s Hour, inspired by an incident in which...
The Daily
Mar 14, 2022 — The Power of the Dog is now the clear frontrunner in this year’s Oscar race.
The Daily
Mar 7, 2022 — Maggie Gyllenhaal’s first feature as a writer and director wins three top prizes—and praise from novelist Elena Ferrante
Feb 1, 2022 — Douglas Sirk’s 1956 masterpiece is a visceral tragedy that lays bare the spiritual malaise of the ruling class.