Always

Sep 8, 2023 — We’re celebrating Ousmane Sembène’s centennial, reading interviews with Ryusuke Hamaguchi and Kasi Lemmons, and watching soundies.

Sep 6, 2023 — Poor Things and The Beast are critical favorites, Ferrari comes alive when the big race is on, and verdicts are split on The Killer.

Aug 29, 2023 — Exalting Black women’s self-invention with DIY effervescence, Drylongso (1998) is a gorgeously generous study of friendship, creativity, violence, and survival. The multidisciplinary artist Cauleen Smith developed the idea for the project from her habit of taking Polaroid photographs. Shot on...

Aug 28, 2023 — Throughout her four-decade career as a writer and director, Susan Seidelman has told complex stories about unconventional women striving to express themselves and maintain their autonomy. Her genre-melding films fuse a passion for the pleasures of Hollywood spectacle with a...

Aug 25, 2023 — Between 1960 and 1964, Roger Corman directed eight films loosely derived from Edgar Allan Poe and in all but one case starring Vincent Price: House of Usher (1960) was followed by The Pit and the Pendulum (1961); the omnibus feature...

Aug 22, 2023 — A new restoration of Roemer’s brisk and oddly endearing 1969 comedy screens in New York, Los Angeles, and Chicago.

Aug 18, 2023 — This week we’re revisiting After Hours and other ’80s greats and the oeuvres of Yasuzo Masumura and François Truffaut.

Aug 17, 2023 — As MINAMATA Mandala finally arrives in theaters, Anthology Film Archives presents a retrospective.

Aug 11, 2023 — Back in the early 1980s, people were still trying to figure hip-hop out.Now in its fiftieth year, this cultural movement built by DJs, rappers, break dancers, and graffiti writers began in New York, spreading from the South Bronx to the...

Aug 11, 2023 — Great as they are, there was a lot more to Hurricane Billy than The French Connection and The Exorcist.