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Mar 28, 2017 — In his first English-language feature, Michelangelo Antonioni examines the elusiveness of the real through the lens of a murder mystery.

Mar 24, 2017 — Did You See This? In anticipation of the Twin Peaks revival set to debut on Showtime in May, GQ spends time with the infamously elusive David Lynch and compiles some awestruck testimonials from his frequent collaborators, including Laura Dern, Kyle...

Mar 24, 2017 — Capturing the cultural anxieties of the 1970s, Hal Ashby’s comedic parable explores the pitfalls of innocence and credulity in American politics.

Mar 23, 2017 — Acclaimed author Jonathan Lethem wears his movie love on his sleeve in genre-hopping novels like the noir-inflected Motherless Brooklyn and the darkly satiric Chronic City, which opens with its protagonist paying a visit to the Criterion Collection. The cinematic inspirations...

Mar 18, 2017 — The landscape of late-nineties American film culture found a loving chronicler in John Pierson, whose groundbreaking TV series Split Screen premiered on IFC in 1997 and now has its streaming home on the Criterion Channel. In this excerpt from the...

Mar 14, 2017 — Religious fanaticism and anti-Communist hysteria give way to mass violence in this groundbreaking work of Mexican political cinema.

Mar 13, 2017 — In late 2016, I was commissioned by the Criterion Collection to photograph the cover and interiors for the edition of Andrew Haigh’s masterful 45 Years. I’m a photographer and artist based in the UK, and I had first worked with...

Mar 12, 2017 — With his new film Personal Shopper now in theaters, we’re sharing a conversation we had with the acclaimed French filmmaker during his visit to the Criterion office last October.

Mar 10, 2017 — Did You See This? Classic film lovers everywhere were saddened to learn about the death of veteran TCM host Robert Osborne last Sunday. In a heartfelt tribute, Tiffany Vazquez, a daytime host on the channel, writes that “Robert’s wisdom, grace,...

Mar 7, 2017 — With his unique blend of British realism and romantic fatalism, director Andrew Haigh exposes the quiet desperation at the heart of a long marriage.