The landscape of late-nineties American film culture found a loving chronicler in John Pierson, whose groundbreaking TV series Split Screen premiered on IFC in 1997 and now has its streaming home on the Criterion Channel. In this excerpt from the third season, which makes its debut on the Channel today, the show takes a break from exploring little-known pockets of the independent film scene and visits the Smithsonian Institution’s National Museum of American History, in Washington, D.C., for a glimpse at some of the treasures of Hollywood’s past. With historian David Shayt as his guide, Pierson turns the camera on the movie ephemera lurking in the museum’s archives, including the red sequined dress that Dustin Hoffman wore in Tootsie, a particularly eerie rendering of James Dean’s face, and—the pièce de résistance—John Wayne’s hairpiece.
Carl Theodor Dreyer’s Most Unusual Experiment
In the latest episode of Observations on Film Art, scholar David Bordwell examines the deeply strange horror film Vampyr, which uses popular material as a springboard for innovations in mood and technique.
Perhaps the only thing more fun than watching a perfectly executed cinematic heist unfold is watching it unravel, as evidenced by twelve heist-movie classics now on the Criterion Channel.