The Criterion Collection
The Daily
Feb 19, 2026 — In more than forty nonfiction features, he tried, as he said, “to create dramatic structures out of ordinary experience.”
The Daily
Oct 31, 2022 — As James Gray’s latest feature arrives in theaters, critics focus on the treatment of his surrogate’s Black best friend.
The Daily
Apr 14, 2022 — The seventy-fifth edition will present new work from Claire Denis, David Cronenberg, Kelly Reichardt, and Hirokazu Kore-eda.
The Daily
Jun 8, 2021 — The selection features new work from Joanna Hogg, Clio Barnard, Jonas Carpignano, Radu Muntean, and Peter Tscherkassky.
The Daily
Feb 4, 2019 — All four of this year’s top prizewinners have been directed or codirected by women.
Jul 21, 2016 — Interweaving wartime footage with haunting images of abandoned concentration camps, Alain Resnais’s breakthrough was one of the first films to confront the ravages of the Holocaust.
Mar 8, 2016 — Paris Belongs to Us marked the genesis of Jacques Rivette’s unique filmmaking style—introducing visual and narrative elements that Rivette would build on over the course of his long career.
Jun 26, 2000 — Kevin Smith writes about his third feature as a sort of penance/valentine for the woman who made him grow up.
The Daily
Feb 25, 2026 — A survey of Black cinema and memories of watching movies with John Ashbery are among this month’s highlights.
May 18, 2021 — The 1892 Chinese novel The Sing-Song Girls of Shanghai opens with a prologue in which the author, Han Ziyun, writes from his own perspective, providing a gateway into the book by describing a dream he has had. Referring to himself...