The Criterion Collection
Apr 22, 2026 — “The wig has a name. The wig’s name is Pam.”I was not even a little surprised to hear that Dallas-born filmmaker Ja’Tovia Gary had given a name to the bouncy brown bob she wears in her film The Giverny Document...
Aug 29, 2023 — Exalting Black women’s self-invention with DIY effervescence, Drylongso (1998) is a gorgeously generous study of friendship, creativity, violence, and survival. The multidisciplinary artist Cauleen Smith developed the idea for the project from her habit of taking Polaroid photographs. Shot on...
Features
Mar 3, 2020 — American cinema is over 125 years old, and African Americans have been a part of it from the beginning. This participation has often been fraught, stymied, and curtailed, but the desire to use motion pictures to craft a self-image has...
Criterion Designs
Jan 27, 2020 — Jason Polan and his drawing of King Kong We’re deeply saddened today by the passing of our friend Jason Polan. Jason was an integral part of the Criterion family for over a decade, responsible for, among many other things, the monthly...
Essays
Jul 16, 2019 — When Alan J. Pakula began preparing for the production of Klute (1971), he screened a lot of Alfred Hitchcock films. He looked at Notorious and admired Ingrid Bergman’s work. He revisited Strangers on a Train, struggling with the climactic merry-go-round...
The actor and star of Megalopolis shares her deep connection to Steve McQueen’s Small Axe, reminisces about growing up repeatedly watching Love & Basketball, and reflects on the cultural importance of Paris Is Burning.
Jun 22, 2015 — Terry Gilliam touches down in the real world for the first time with this fanciful tale of blurred class boundaries in New York City.
The Daily
Aug 13, 2021 — This week we’re reading about the first and second waves of noir and taking a good look at a smartly dressed man.
Mar 26, 2021 — In her hypnotic, uncategorizable films, the director serves as a channel for images that emerge from deep within her unconscious.