The Criterion Collection
May 8, 2017 — Writer Durga Chew-Bose explores her personal connection to Uma Das Gupta’s quietly captivating performance as a carefree young girl in the masterful opening installment of The Apu Trilogy.
Aug 24, 2016 — During a 2006 meeting with the author, French New Wave icon Jeanne Moreau reminisced about working with Orson Welles, Louis Malle, and François Truffaut, and her turn to acting as a means of eluding the “destiny of a regular girl.”
Jul 29, 2014 — Combining a tragic romance and the story of a workers’ strike, this musical melodrama is perhaps Jacques Demy’s most neglected masterpiece.
Essays
May 17, 2004 — Banned by the Third Reich before it was even released, Fritz Lang’s denunciation of Nazi Germany is a compellingly contemporary image of terrorism in an age of universal conspiracy and advanced technology.
Aug 20, 2001 — Before Lars von Trier, Krzysztof Kieslowski, Andrei Tarkovsky, Ingmar Bergman, Robert Bresson there was Carl Th. Dreyer. The first great film artist to pursue the ineffable in cinema, Dreyer gave depth to what early silent filmmakers innately understood yet took...
The Daily
Jun 12, 2025 — From Hitchcock to Kubrick, Star Wars to Twin Peaks, the selection ranges as wide as the film gauges.
The Daily
Mar 11, 2021 — The Museum of Modern Art is streaming the only two features by the forgotten filmmaker championed by Bertrand Tavernier and Pierre Rissient.
Criterion Designs
Oct 16, 2018 — With her thick, flowing brushstrokes and eccentric sensibility, illustrator Ping Zhu captured the buoyant flavor of Juzo Itami’s “ramen western.”
The Daily
Jul 8, 2018 — “I Do Not Care If We Go Down in History as Barbarians” takes the top prize.
Production Notes
Nov 13, 2014 — Michael Lennick, visual effects supervisor, writer, filmmaker, self described sci-fi geek, and friend of the Criterion Collection, died last week in Toronto. Early in his career, Michael created special video effects for David Cronenberg’s films Videodrome and The Dead Zone....