The Criterion Collection
The Daily
Sep 10, 2017 — “Fear rises like gas from a corpse in Armando Iannucci’s brilliant horror-satire The Death of Stalin,” begins the Guardian’s Peter Bradshaw. “It’s a sulphurous black comedy about the backstairs Kremlin intrigue that followed the death of Joseph Stalin in 1953,...
Dec 7, 2010 — Guillermo del Toro understands the power of fairy tales. Not the prettified romances of Charles Perrault, who tamed the Brothers Grimm for French drawing rooms, or the charming animal fables of Aesop, or the reassuring moral lessons Disney made of...
Jul 22, 2009 — Made in 1966 (so quickly that it could almost be considered an improvisation), Jean-Luc Godard’s twelfth feature is arguably the most quintessentially “Godardian” of the filmmaker’s early period— but for those of us in the United States, it is also...
Essays
Oct 12, 1987 — Akira Kurosawa’s thrilling Cinemascope epic is set squarely within the traditions of the Japanese film genre known as the “Chambara.”
Mar 18, 2016 — The French filmmaker discussed revisiting the world of his breakthrough feature, his desire to communicate with a younger generation, and his signature cinematic flourishes.
The Daily
May 1, 2024 — Films by Horace Ové, Menelik Shabazz, John Akomfrah, Isaac Julien, and more depict Black lives in a tumultuous era.
The Daily
Oct 14, 2021 — Voir is “a new documentary series of visual essays celebrating cinema.”
Sep 13, 2019 — Nicholas Britell’s scores are so finely calibrated to the movies they inhabit that they become inextricable from the images on-screen. Whether it’s the staccato heartbeat of orchestral strings in Barry Jenkins’s Moonlight or the mix of piano motifs and hip-hop...
Aug 31, 2018 — And a pillar of American film criticism falls.
Aug 26, 2013 — From the beginning, it was clear that Rainer Werner Fassbinder was destined to shake up German cinema.