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Jul 26, 2022 — A seductive brew of decadence, dada, and drag, the German director’s fantastical films embrace the possibilities of female visual pleasure.

Jun 7, 2022 — Olivier Assayas has his reasons for retelling the story of a remake.

May 13, 2022 — The director of We’re All Going to the World’s Fair reflects on the transformative power of a Sonic Youth needle drop in Olivier Assayas’s 1996 film.

May 5, 2022 — Has Asian American cinematic representation really reached unprecedented heights, as almost all recent film coverage on the subject claims? In the past two years, critics’ polls, New York Times features, and Golden Globes scandals have marked the newfound success of...

Feb 24, 2022 — Next month on the Criterion Channel, we’re pushing the envelope with a series of the pre-Code films made by Paramount Pictures, a centenary tribute to Pier Paolo Pasolini, and a collection of groundbreaking concert documentaries.

Jan 25, 2022 — By repeatedly staging the death of the filmmaker’s father with tragicomic flair, Kirsten Johnson’s hybrid documentary grapples with the realities of dementia and finds grace.

Jan 21, 2022 — This week: Sundance at thirty and Ways of Seeing at fifty, plus the Márta Mészáros and Bill Morrison retrospectives and a new Cinema Scope.

Dec 14, 2021 — Handsome volumes on Wes Anderson and David Fincher, a biography of Greta Garbo, and a memoir from Mel Brooks are among this month’s highlights.

Dec 7, 2021 — As his latest feature arrives in the U.S., the director has already begun work on his next one.

Oct 29, 2021 — A lost Iranian melodrama returns, Reverse Shot and Caligari tell us scary stories, and Robert Mitchum is the star of Noirvember.