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Doc Fortnight 2022

The Daily

Feb 23, 2022 Twenty-nine nonfiction and hybrid films will screen through March 10.

Feb 22, 2022 The fourth feature by the Hong Kong filmmaker Ann Hui devastatingly lays bare the conditions that spurred hundreds of thousands of Vietnamese to flee after the fall of Saigon.

Aug 17, 2021 Songbook It will always figure for me as an interval of eerily suspended time: not only a formative moviegoing experience but a jolt of awareness when the line between screen and life dissolved. In a dimly lit Tokyo cabaret the...

Jul 29, 2021 As André Bazin put it, Marker created “a new and modern reality based as much on language and words as on the power of the image.”

Feb 9, 2021 What does parallax mean? It is a term that English speakers are perpetually learning and always forgetting. Leopold Bloom, in Ulysses: “Parallax. I never exactly understood . . . Par it’s Greek: parallel, parallax.” In the technical sense, the word...

Dec 29, 2020 Alongside the traditional top tens, critics are offering imaginative pairings and lists of the best audiovisual essays and title sequences of the year.

Nov 2, 2020 Two decades before his inspired turn in Parasite (2019) as a chiseling patriarch—The Man With No Plan—Song Kang-ho became a symbol of new wave South Korean cinema by starring in a pair of iconic films as the movement was beginning...

Oct 9, 2020 This week we’re revisiting Irma Vep, more than a century of animation, and the work of Jean-Luc Godard and Michael Snow.

Sep 11, 2020 As Toronto opens, here’s an overview of early critical response to some of the festival’s titles arriving directly from their premieres in Venice.

Jul 29, 2020 The show must go on. The festival presents a lineup of new work from Frederick Wiseman, Kiyoshi Kurosawa, Ann Hui, Lav Diaz, Abel Ferrara, and more.

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