The Criterion Collection
The Daily
Jan 21, 2025 — Lynchian may be impossible to define, but you know it when you see it.
Interviews
Jun 30, 2025 — An up-and-coming director reflects on the resourcefulness and scrappy ingenuity that went into making his three films, now playing on the Criterion Channel.
Jan 12, 2010 — 8½: a bizarre and puzzling title, but one precisely appropriate for this film, which announces in its first frame that modernism has reached the cinema. If the mark of modernism in art is self-reference, 8½ surely goes beyond any predecessor...
Mar 24, 2014 — Rome is as exquisite as it is suffocating in Paolo Sorrentino’s profound tale of contemporary entropy.
Mar 13, 2024 — The subject of a revelatory retrospective at last year’s Morelia International Film Festival, this groundbreaking director ushered in Mexican cinema’s golden age with vibrant explorations of the nation’s folk traditions and revolutionary past.
Sep 21, 2023 — Like the nuclear family, the internet shapes us whether or not we choose to relate to it. In 38, the final short in a triptych by filmmakers Micaela Durand and Daniel Chew, a woman approaching middle age becomes obsessed with...
The Daily
Dec 8, 2022 — We can look forward to new work from Ira Sachs, Nicole Holofcener, Randall Park and Adrian Tomine, and Brandon Cronenberg.
Nov 2, 2022 — The director of Samson and Delilah and Sweet Country discusses his formative artistic encounters, his eclectic professional background, and on-screen Indigenous representation.
The Daily
Sep 25, 2019 — Here’s an overview of how fifteen films in the NYFF’s Main Slate have been faring since premiering in Cannes.
Aug 12, 2020 — Mia Hansen-Løve makes delicate, graceful films about overpowering emotions. After beginning her career in front of the camera, acting in Olivier Assayas’s Late August, Early September (1998) and Les destinées (2000) as a teenager, she transitioned to directing at the...