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Where the Wild Things Are

Oct 1, 2017 “Sean Baker follows his 2015 breakout feature Tangerine with another high-energy movie about people whose imaginations are undaunted by living on the margins,” begins Amy Taubin, introducing her interview with the director for Film Comment. “In The Florida Project, six-year-old...

Jul 12, 2017 La telenovela errante, a film Raúl Ruiz shot in 1990 (image above) and now fully realized by his widow and editor, Valeria Sarmiento, is one of the highlights of the lineup for this year’s Locarno Film Festival. The seventieth edition...

NYAFF 2017

The Daily

Jun 30, 2017 Starting today, the Film Society of Lincoln Center and Subway Cinema present the sixteenth edition of New York Asian Film Festival, running through July 13 at the Walter Reade Theater and then from July 14 through 16 at the SVA...

Twin Peaks Returns

The Daily

May 21, 2017 Tonight, Sunday, May 21, 2017, Twin Peaks returns, just as Laura Palmer (may have) predicted it would twenty-five years ago, give or take. Eighteen one-hour episodes, all directed by David Lynch and cowritten with the show’s original co-creator, Mark Frost....

May 2, 2017 On a trip to the Library of Congress’s Mostly Lost workshop—affectionately known as “film-geek heaven”—Imogen Sara Smith joined early-cinema aficionados in uncovering treasures from the vaults.

Sep 21, 2023 Like the nuclear family, the internet shapes us whether or not we choose to relate to it. In 38, the final short in a triptych by filmmakers Micaela Durand and Daniel Chew, a woman approaching middle age becomes obsessed with...

Jan 22, 2026 This visually stunning masterpiece from Kazakh New Wave iconoclast Ardak Amirkulov is one of the few films that looks evil in the eye without flinching.

Jun 11, 2015 The author recalls the two great cinematographers and their work.

May 8, 2020 The opening and closing credits in a film are a form of housekeeping, fulfilling a legal obligation to compile the names of cast and crew who made the final product possible. Visionary designer Saul Bass saw the aesthetic potential in...

Jan 7, 2019 The artist behind our new cover for Hitchcock’s spy-noir masterwork remembers falling in love with the film as a child and walks through the process of illustrating one of its most iconic scenes.

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