The Criterion Collection
The Daily
Jan 8, 2026 — We can look forward to new films by Ryusuke Hamaguchi, David Fincher, Greta Gerwig, Lee Chang-dong, Ulrike Ottinger, and many, many more.
In Theaters
Apr 4, 2019 — Repertory Picks Next Tuesday evening, courtesy of Janus Films, New Yorkers will have a chance to see one of Yasujiro Ozu’s early-career silent films, Dragnet Girl, when it screens at the Film Society of Lincoln Center, accompanied live by the...
Essays
Jan 10, 2005 — Seijun Suzuki's penultimate film for Nikkatsu is a subversively funny account of the making of a model fascist.
Oct 7, 2019 — One Scene Japanese filmmaker Takashi Miike has directed more than a hundred features, and almost three decades into his career he’s showing no signs of slowing down. Throughout his ferocious, often controversial body of work, he has contorted disparate genres...
Short Takes
Apr 6, 2010 — In “the cinema of flourishes”—as scholar David Bordwell once memorably characterized the long and grand tradition of Japanese filmmaking—few flourish makers have flown so high as Takeo Kimura, longtime Seijun Suzuki collaborator and art director extraordinaire, who died recently at...
The Daily
Jul 8, 2025 — The maestro of existential dread is celebrated in New York, Vancouver, and Columbus, Ohio.
Aug 23, 2011 — Intimidation: The Weird Dream MakerImpassioned and dedicated craftsman of some of Japanese cinema’s biggest box-office successes and most eccentric off-genre sorties, longtime Nikkatsu studios mainstay Koreyoshi Kurahara (1927–2002) was a filmmaker with two opposite yet inseparable signature points of view....
The Daily
Jul 18, 2019 — While the focus is on new films by young directors, the guest of honor will be the renowned Shinya Tsukamoto.
Mar 16, 2007 — The first of his films to be shown outside Japan, Ichikawa Kon’s twenty-seventh feature dramatically raised the director’s profile.
The Daily
Sep 12, 2024 — Chime, a French remake of Serpent’s Path, and Japan’s Oscar submission, Cloud, have all premiered within months of each other.