The Criterion Collection
Oct 15, 2024 — This jolt of delicious weirdness from Japanese New Wave master Masahiro Shinoda is both a reverent salute to Kabuki and a self-consciously postmodern take on its traditions.
Essays
Jul 16, 2018 — In this essay originally published in the New Yorker, Roger Angell hails Ron Shelton’s comic ode to baseball as one of the few movies to capture the essence of the sport.
The Daily
Apr 28, 2026 — Opening with Jane Fonda’s tribute to Robert Redford, this year’s edition features several world premieres of new restorations.
The Daily
Apr 29, 2021 — Seven features in this year’s New Directors/New Films lineup premiered in Rotterdam’s Tiger competition.
Dec 4, 2006 — William Greaves’s masterpiece uses a single situation as the basis for a theme-and-variation structure that interrogates every aspect of the filmmaking process as well as the categories of fiction and documentary.
Dec 26, 2018 — Members of the Criterion tech team headed to India last month to teach some practical skills in moving-image conservation at the Film Preservation & Restoration Workshop.
The Daily
Aug 21, 2024 — This month brings a new biography of Agnès Varda, collections from Phillip Lopate and Jonathan Rosenbaum, and some hefty coffee-table accessories.
Jul 3, 2019 — Punk has been tamed, punk has been neutered, punk has been domesticated. The album The Stooges is fifty years old this August, and the music of omnidirectional bile and antiauthoritarianism that it anticipated has been museumified, the subject of a...
Jul 9, 2017 — New York. “It’s Great to Be Alive may not be the nuttiest Hollywood musical of 1933—a year that brought the Marx Brothers’ Duck Soup—but it’s surely the only one to end with a production number in which the women of...
Aug 18, 2010 — Before Marcel Camus’ Black Orpheus showed up on American and European screens in 1959, what would later be known as the “art film” came in only a few shades of glum: Bergmanesque existentialism, Japanese samurai tragedy, stories of Italian peasant...