The Criterion Collection
Essays
Dec 31, 2000 — Those who felt that Scandinavian cinema had passed into retirement along with Ingmar Bergman should be startled by Insomnia. This immaculately constructed psychological thriller sets a benchmark for other Scandinavian directors to match, and is one of the most unusual...
Gregory Zinman is an associate professor in the Department of Film and Media at Emory University. His writing on film and media has appeared in the New Yorker, the Atlantic, and October, among other publications. He is the author of...
Lucy Sante’s books include Low Life, Evidence, Kill All Your Darlings, The Other Paris, Maybe the People Would Be the Times, and I Heard Her Call My Name.
On the Channel
Feb 12, 2018 — Mexican filmmaker Guillermo del Toro shares heartfelt appreciations for eleven of his favorite films in the collection.
Aug 20, 2026 — A retrospective spotlights the writer’s collaborations with Carol Reed, Fritz Lang, John Ford, Alberto Cavalcanti, and George Cukor.
The Daily
May 29, 2026 — We’re revisiting work by Tarkovsky, Pelechian, and Portabella as well as two films with the word Dead in the title.
The Daily
Apr 6, 2026 — New York’s Film Forum screens thirteen features by the master of urbane comedy.
Mar 24, 2026 — Martin Scorsese’s powerful drama, which recounts a series of killings that devastated the Osage Nation in 1920s Oklahoma, turns the historical epic into a Möbius strip that blurs audience, film, and director.
The Daily
Mar 20, 2026 — This week: Thierry Frémaux on the Lumière brothers, Lynne Littman and Jane Alexander on Testament, and Christian Petzold on Hitchcock.
Jan 22, 2026 — This visually stunning masterpiece from Kazakh New Wave iconoclast Ardak Amirkulov is one of the few films that looks evil in the eye without flinching.