The Goodbye Girl

Jul 19, 2021 — When Dennis Lehane joked in 2011 that the only real difference between Greek tragedy and noir was that in the former characters fall from great heights and in the latter they drop from the curb, he was pinpointing something simultaneously...

Mar 10, 2021 — For about five minutes in Alan J. Pakula’s The Parallax View, the lights go down on our movie and we’re shown another—an increasingly deranged propaganda short designed to suss out whether someone is Parallax material. That is to say, an...

May 11, 2020 — This week’s round comes loaded with lists: 100 novels about cinema, fifty novelizations, and dozens of Sheila O’Malley’s favorite biographies.

Sep 12, 2018 — Viola Davis, Robert Redford, and Gael García Bernal star in a cluster of new heist movies.

Sep 8, 2017 — “A complex and layered work, [Jonas Mekas’s] Lost Lost Lost [1976]—especially its first hour—is among cinema’s most poignant accounts of the immigrant experience,” writes Girish Shambu. “Historically, the best immigration cinema stages, in an astonishing multitude of ways, a divided...

Jun 20, 2014 — Peter Weir’s sun-dappled, sexually charged nightmare about a disappearance in turn-of-the-twentieth-century Australia still unnerves due to its radical lack of resolution.

Dec 2, 2013 — With its dazzling array of characters, acerbic take on American entertainment and politics, and innovative approach to sound, this is the ultimate Robert Altman movie.

May 19, 2026 — “My history’s burning up out here,” Ned Racine (William Hurt) tells his lover in the opening minutes of Lawrence Kasdan’s directorial debut, Body Heat (1981). Ned, a small-time attorney and local roué in his South Florida beach town, recognizes the...

Oct 2, 2018 — Performances There’s an irreducible reserve about Kristen Stewart, an appearance of not doing much on-screen, that I mistook for lack of talent when I first saw her mumbling into her shirt in the Twilight franchise. Still, playing Bella Swan, chastity...

Sep 10, 2009 — Is That Hamilton Woman, starring Vivien Leigh and Laurence Olivier at their most heart-stoppingly beautiful and mutually enraptured, one of the most romantic movies ever made because or in spite of the fact that it was designed as propaganda? It...