The Criterion Collection
Essays
Feb 24, 2026 — Centered on the emotional unraveling of a failed newsman, this darkly prescient satire envisions the collapse of American society as we knew it through an unsparing critique of corporate media and capital accumulation.
The Daily
Feb 6, 2026 — There’s an AI-driven reconstruction of The Magnificent Ambersons underway, a restoration of Michael Almereyda’s Nadia in theaters—and more.
The Daily
Feb 3, 2026 — Her passing has sparked an outpouring of appreciation for the hilarious ways she found to cut loose.
The Daily
Jan 29, 2026 — Critics have taken a liking to the new films from Olivia Wilde, Padraic McKinley, and John Wilson.
The Daily
Jan 23, 2026 — This week: Max Ophuls, Erich von Stroheim, David Lynch, the Biden years, and the best of 1935.
The Daily
Jan 8, 2026 — We can look forward to new films by Ryusuke Hamaguchi, David Fincher, Greta Gerwig, Lee Chang-dong, Ulrike Ottinger, and many, many more.
The Daily
Oct 27, 2025 — The Melbourne Cinémathèque presents vibrant and enduring mashups of melodrama and social realism.
Sep 24, 2025 — Jacques Audiard’s Paris-set drama about small-time hoodlum with musical ambitions crystallized his identity as an artist with a high degree of confidence and control.
The Daily
Sep 9, 2025 — Paul Mescal and Jessie Buckley enthrall critics with their portrayals of parents mourning the loss of a child.
The Daily
Jun 2, 2025 — More than a hundred films likely to make you feel bad in all the best ways will screen in eight cities this month.