The Criterion Collection
The Daily
Jul 21, 2026 — New restorations of the first three features premiere this weekend, followed by a retrospective next month.
May 26, 2026 — Women’s hands dance over typewriter keys. The percussive racket they make, like the tapping of an unruly chorus line, takes the place of music during the opening credits of The Office Wife (1930), which appear over a montage of female...
The Daily
Feb 23, 2026 — Juries, critics, filmmakers, and audiences debated politics from the first through the last day of this year’s edition.
Jan 27, 2026 — Unencumbered by the white gaze, Reginald Hudlin’s groundbreaking feature-film debut is a celebration of a Black community in all its diversity, featuring fully realized characters who exist not as spectacle but as reality.
The Daily
Jan 21, 2026 — New films by Angela Schanelec, Lance Hammer, and Mahamat-Saleh Haroun will premiere in the competition.
The Daily
Nov 20, 2025 — To complement his new exhibition, Jafa programs a series of four double bills.
The Daily
Feb 1, 2024 — The festival sets its juries, adds two titles, and calls for the release of Maryam Moghaddam and Behtash Sanaeeha.
Features
Aug 1, 2023 — “Do you want me to turn them loose?” This is what cowboy Perce asks a sad-eyed Roslyn in John Huston’s elegiac The Misfits (1961), and that one question about untying the mustangs he and fellow wranglers Gay (Clark Gable) and...
Apr 25, 2023 — Steve McQueen’s monumental, five-film portrait of London’s West Indian community is a howl of endorsement for political resistance and a vivid indictment of institutional malaise.
On the Channel
Dec 28, 2022 — We’re getting real in January with a spotlight on cinema verité, a movement that revolutionized documentary filmmaking.