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Jun 25, 2013 How Claude Lanzmann made a thoughtful film about the unthinkable and unfilmable.

Shifting POVs

The Daily

Jun 5, 2026 We’re wrapping the week with conversations with Lilly Wachowski, Shunji Iwai, and Tsui Hark as well as essays on Ozu and Ghatak.

Jun 3, 2024 The popular American Cinematheque series expands in Los Angeles, and then, for the first time, heads to New York.

Nov 10, 2022 Film Forum presents a survey featuring work by Edward Yang and Hou Hsiao-hsien as well as Second Wavers Ang Lee and Tsai Ming-liang.

Oct 18, 2022 The winner of top nonfiction awards at Sundance, Cannes, and London arrives in theaters.

Aug 3, 2020 The British director of sprightly musicals, wrenching family dramas, and gripping political thrillers was seventy-six.

Feb 26, 2020 Before making history last year as the first black woman director to compete at Cannes, Mati Diop had been spending the previous ten years articulating her unique vision in a series of five acclaimed short films. The praise Diop has...

Jan 31, 2018 “Originality has never been a problem for documentarian Robert Greene, whose films Actress and Kate Plays Christine have freely crossed the lines between fly-on-the-wall realism and overt artificiality,” writes Noel Murray for the Week. “Bisbee ’17 is Greene’s masterwork. Shot...

Dec 10, 2014 Social satire, women’s melodrama, queer metaphor, or horror movie? Todd Haynes’s elusive masterpiece is all of these and none of them.

Jan 18, 2018 One of the landmarks of 1960s Japanese cinema plays at the Berkeley Art Museum and Pacific Film Archive this week.

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