Me Myself and I

Sep 2, 2021 — Translated into English for the first time, this afterword to Hirokazu Kore-eda’s novelization of his film explores the director’s attraction to fiction writing and how the art form differs from narrative cinema.

May 7, 2021 — The house on Walnut Road was and still is, among other things, a movie house. That becomes vividly clear in Michael Koresky’s searching and tender new memoir, Films of Endearment, in which he returns to this beloved childhood home several times over the...

Jul 2, 2018 — The sweetness and aggression of female erotic pleasure take center stage in Pussy, an imaginatively stylized animated short now playing on FilmStruck.

Dec 26, 2017 — The great Austrian filmmaker spoke with us about his early experiences falling in love with cinema and the films that have shaped his singular aesthetic.

Sep 16, 2014 — The following interview is from filmmaker and writer Chris Rodley’s 1997 book Lynch on Lynch. The interviews in the book were conducted by Rodley between January 1993 and December 1996. Eraserhead took five years to complete. You must have been...

Jun 17, 2013 — The author recounts the story of his friendship with the great filmmaker.

Jan 26, 2010 — Today, most people’s knowledge of George Bernard Shaw doesn’t extend much further than his classic comedy Pygmalion. But the legendary playwright and theater critic (1856–1950) wrote more than sixty plays. In February, we at the Criterion Collection will do our part...

Feb 13, 2023 — Desperately seeking community in her college years, the writer discovered the world of experimental cinema when she stumbled on a short-film program at an art-house in Manchester, England.

Mar 18, 2022 — With a collection of her films now available on the Criterion Channel, the director behind Still Processing discusses the radically personal nature of her work.

Feb 16, 2021 — “Me myself, I prefer literature,” the Senegalese author-filmmaker Ousmane Sembène tells a group of African students in the 1994 documentary Sembène: The Making of African Cinema. “But in our time, literature is a luxury.” Sembène’s historical conjuncture—Africa’s putative transition from...