Love Oh Love

Apr 29, 2016 — The writer-director of such witty cultural sendups as Metropolitan, Barcelona, and The Last Days of Disco talks about that early-career trilogy; his new Jane Austen adaptation, Love and Friendship; and the filmmaker’s work of capturing the past.

Nov 18, 2015 — On the night of the New York premiere of Gaspar Noé’s controversial new film Love, his 3D cinematic sex odyssey, the French-Argentine provocateur stopped by Criterion with the film’s star, Aomi Muyock.

Aug 20, 2014 — One of John Cassavetes’s loyal troupe of collaborators reminisces about working with the fearless filmmaker.

Jul 22, 2026 — The filmmaker looks back on the experiences that have shaped his creative life, including his time in art school, his work as a graphic designer and music-video director, and his early interest in documentary cinema.

Jun 18, 2026 — Over the course of his first three documentaries—Helvetica (2007), Objectified (2009), and Urbanized (2011)—Gary Hustwit established a clean and clear cinematic language that he used to describe the complex and often contradictory systems of thinking that designers use to shape...

May 12, 2026 — Sorting through critics’ most-anticipated titles, catching up with interviews and profiles, and more.

Apr 22, 2026 — “The wig has a name. The wig’s name is Pam.”I was not even a little surprised to hear that Dallas-born filmmaker Ja’Tovia Gary had given a name to the bouncy brown bob she wears in her film The Giverny Document...

Apr 21, 2026 — It’s all a bit confusing. Point Blank is based on a novel called The Hunter by Richard Stark, one of several pseudonyms adopted by Donald E. Westlake. The book was republished as Payback in 1999 to tie in with a...

Feb 18, 2026 — Among this month’s highlights are a celebration of VHS and how it revolutionized film culture, a spotlight on the Romanian New Wave, and a retrospective of pioneering queer filmmaker Monika Treut.

Jan 20, 2026 — This month, leap into a century of cinema’s greatest stunts, feel the ache of thwarted romance and bittersweet yearning, or get into trouble with the Depression-era hustlers of Mervyn LeRoy’s pre-Code films.