The Criterion Collection
Aug 31, 2018 — And a pillar of American film criticism falls.
Aug 31, 2018 — There’s a wistful sense of what might have been running through this week’s round of five.
The Daily
Aug 30, 2018 — World premieres, the best of the fests, and half a dozen classics selected by guest director Jonathan Lethem.
The Daily
Aug 30, 2018 — A solid first round of reviews for the Venice opener—and for Ryan Gosling’s performance as Neil Armstrong.
Aug 30, 2018 — By posing provocative questions about revolutionary politics, Tomás Gutiérrez Alea brought Cuban filmmaking onto the international stage.
The Daily
Aug 29, 2018 — Besides presenting selections from the world’s top festivals, London will also premiere the latest from Ben Wheatley.
In Theaters
Aug 29, 2018 — A gorgeous new restoration of Jim Jarmusch’s surreal western Dead Man plays at Tivoli Cinemas tonight.
On the Channel
Aug 27, 2018 — British master Terence Davies makes evocative use of dissolves to create a slippery narrative structure driven by emotion and memory.
The Daily
Aug 24, 2018 — Film Studies for Free turns ten, BlacKkKlansman sparks debate—and more.
Aug 23, 2018 — The director of Computer Chess and Support the Girls finds in John Cassavetes a surrealist whose weirdest set pieces could make David Lynch blush.