The Criterion Collection
Criterion Designs
Aug 7, 2019 — Studio Visits Brooklyn native Danielle Mastrion draws a great deal of inspiration from the city that she calls home—and also often uses it as her canvas. A socially conscious, classically trained painter who taught herself to work in aerosol, Mastrion...
Sneak Peeks
Mar 27, 2019 — From the beginning of his career, Mexican filmmaker Carlos Reygadas has strived to find a balance between careful planning and the spontaneity of the moment. For our edition of his feature debut, Japón, an existential tale that follows the spiritual...
On the Channel
Oct 4, 2018 — North by Northwest’s crop-duster scene—in which Cary Grant’s victim of mistaken identity finds himself in a fallow Indiana field, hunted by a low-flying biplane—is one of the most iconically thrilling moments in Alfred Hitchcock’s fiendishly clever body of work. But,...
Short Takes
Jan 25, 2016 — Last week, we were saddened to learn of the passing, at the age of eighty-four, of the beloved Italian writer and director Ettore Scola. The filmmaker was a luminary of Italian cinema for more than half a century, and his...
Sep 14, 2015 — In his latest column, Peter Cowie reflects on his friendship with our beloved cofounder.
Essays
Jul 2, 2015 — By recounting the impossibility of making a movie, Federico Fellini ended up creating a masterpiece that almost fell into his lap.
Jul 4, 2014 — Did You See This?• The singular beauty of old movie theaters. . . • . . . And a rare peek inside a long-abandoned one • Barack and Michelle’s surprising first-date movie • A Hard Day’s Night: making it sound...
Jan 22, 2007 — A delightfully old-fashioned morality tale, Robert Day’s low-budget space flick is far more than the standard monster fare it was initially sold as.
Jan 11, 2006 — The typical midlife crisis, to which we all fall victim in some major or minor degree, came to Fellini with a slight delay. On the twentieth of January, 1960, the day of his fortieth birthday, he was, in fact, too...
Essays
May 30, 2023 — What makes Thelma & Louise truly a film for women, despite the fact that it was directed by a man, are its stars, Geena Davis and Susan Sarandon, who imbue their iconic performances with tender, unwavering specificity.