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To Each His Own Cinema

Mar 17, 2010 1. A Park—Night A man aflame is running directly toward camera. This image, which comes from Nicholas Ray’s initial treatment for Rebel Without a Cause, might stand at the head of almost any of Ray’s movies, since it so clearly...

Jan 12, 2010 8½: a bizarre and puzzling title, but one precisely appropriate for this film, which announces in its first frame that modernism has reached the cinema. If the mark of modernism in art is self-reference, 8½ surely goes beyond any predecessor...

Oct 12, 1987 For more than forty years, The Seventh Seal has been a benchmark by which all other great foreign films are judged. It launched the international career of its director, Ingmar Bergman, and made a star of its 27-year-old leading actor,...

Jan 22, 2026 A deft mixture of family epic, romantic melodrama, landscape cinema, and comedy, Burkinabe director Idrissa Ouédraogo’s landmark film balances the universality of its themes with the fierce individuality of its characters.

Oct 14, 2021 Voir is “a new documentary series of visual essays celebrating cinema.”

Oct 8, 2021 From Richard Linklater to Isabelle Huppert, some of cinema’s most beloved figures have shown their commitment to the art form by operating venues with stellar repertory programs.

Jun 25, 2024 Barry Jenkins’s extraordinarily ambitious limited series distinguishes itself in the tradition of the cinematic slavery epic through its understanding that Black joy and Black trauma cannot be cleaved from each other.

May 5, 2022 Has Asian American cinematic representation really reached unprecedented heights, as almost all recent film coverage on the subject claims? In the past two years, critics’ polls, New York Times features, and Golden Globes scandals have marked the newfound success of...

Dec 16, 2021 Whether their lists run to ten or fifty films, critics argue their cases for the films they’ve put on top.

Mar 2, 2021 Anyone looking to demonstrate the range of this year’s competition might set Hong Sangsoo’s Introduction next to Dominik Graf’s Fabian: Going to the Dogs.

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