The Criterion Collection
Essays
Jan 14, 2009 — Gregory Nava, with his writing partner and producer, Anna Thomas, made the courageous decision to tell their story of a cold-war battleground from the point-of-view of the colonized “natives,” eschewing an English-speaking protagonist.
The Daily
Jun 5, 2026 — We’re wrapping the week with conversations with Lilly Wachowski, Shunji Iwai, and Tsui Hark as well as essays on Ozu and Ghatak.
Essays
Oct 18, 2022 — Kiyoshi Kurosawa’s hypnotic serial-killer film dives into the realm of the uncanny and envisions the breakdown of Japanese society.
The Daily
Jul 29, 2022 — We head back to the 1940s in Los Angeles, the 1960s in New York and Paris, and to every summer you remember.
Essays
Aug 11, 2020 — The Complete Films of Agnès Varda In September 2018, I screened Agnès Varda and JR’s Faces Places for the Michigan State University Film Collective. We had a lively discussion that went past the scheduled ending time. As I was getting...
Features
Jun 15, 2020 — The hugely popular and prolific Italian actor Alberto Sordi relished playing rogues, characters riddled with foibles and weaknesses. In an interview with Positif’s Jean A. Gili in 1999, he revealed that his aim was to depict in a comic register...
Mar 27, 2020 — The cost to the Soviet population due to the war with Germany from 1941 to 1945 has not been definitively established; the best-circulated estimate, about twenty-seven million, is thought by some scholars to be low by many millions. Under Joseph...
The Daily
Apr 26, 2019 — New issues of Screening the Past and cléo are out this week, and new restorations are opening in New York.
The Daily
Nov 28, 2017 — Ahead of the Christmas Day opening, preview screenings of Paul Thomas Anderson’s Phantom Thread in New York and Los Angeles began over the weekend and will continue through Thursday. Variety’s Kristopher Tapley suggests that “if you define a film as...
Jul 23, 2007 — It’s hard to think of an artist who better exemplifies the obscuring ebb and flow of film history than Raymond Bernard.