The Criterion Collection
The Daily
Mar 20, 2018 — “More than forty-two years after principal photography wrapped on Orson Welles’s The Other Side of the Wind, a ‘locked picture’ is finally in place,” reports Ray Kelly at Wellesnet. “It is being color-corrected with sound work continuing as the movie...
The Daily
Feb 28, 2018 — A few days ago, we ran an essay here by Pico Iyer on Satyajit Ray’s The Hero (1966), followed by Meheli Sen’s comments on Uttam Kumar’s performance within the context of his stardom. Iyer has more to say and, writing...
The Daily
Feb 4, 2018 — Mexico’s “Three Amigos” are quite popular with the Directors Guild of America. Alejandro G. Iñárritu won the award for Outstanding Directorial Achievement in Feature Film in 2015 for Birdman, and then again in 2016 for The Revenant; earlier, in 2013,...
The Daily
Dec 25, 2017 — New York. The Film Society of Lincoln Center’s series Emotion Pictures: International Melodrama rolls on through January 7. “The genre of melodrama, which displays the grand, tragic passions that mark everyday lives while also detailing historical events that knock those...
The Daily
Sep 29, 2017 — During this month’s Toronto International Film Festival, we began seeing reviews and interviews that would eventually make their way into the new issue of Cinema Scope: Adam Nayman’s conversation with Denis Côté about A Skin So Soft, for example, and...
Aug 4, 2017 — Olivier Assayas’s next project is E-book, a “full-blown comedy” starring starring Juliette Binoche, Guillaume Canet, Vincent Macaigne, Christa Theret and Pascal Gregory, report John Hopewell and Emiliano Granada for Variety. In Locarno, where he’s currently presiding over the competition jury,...
Short Takes
Jun 20, 2016 — School’s out for summer! And what better way to mark this first day of the season than by revisiting Richard Linklater’s classic 1993 teen comedy Dazed and Confused. Set in suburban Texas in 1976 amid a haze of bong smoke...
Jan 26, 2015 — Scenes without endings, sounds without corresponding images, actions without seeming motivation—Lucrecia Martel’s sense-heightening debut offers a cinema of subtraction.
Sep 28, 2010 — “The past, again and again.” —Major Jack Celliers, Merry Christmas Mr. Lawrence Nagisa Oshima’s filmmaking career began with the risen sun—or rather, with the promise of a sun soon to rise: Tomorrow’s Sun (1959), a dizzyingly designed faux “coming attraction”...
May 13, 2010 — Samuel Beam is an American singer-songwriter (and former film studies professor!) better known by the stage name Iron and Wine. His last album was 2007’s The Shepherd’s Dog, and a follow-up is in the works. When selecting his top ten...