The Criterion Collection
The Daily
Apr 7, 2021 — The four-part series forages for the roots of the ideology of white supremacy.
The Daily
Feb 16, 2021 — Reviews are strong for the biography of the unique theater and film director, comedian and actor.
The Daily
Jan 28, 2021 — The 2021 edition is a nationwide celebration of fresh talent.
Tech Corner
Oct 2, 2020 — The Lady Eve, from 1941, is my favorite of all of Preston Sturges’s comedies. I would wager to say that it’s Barbara Stanwyck’s best performance, though I also love her in Double Indemnity and Forty Guns. Heck, I love her in everything she’s in. But...
Features
Jul 25, 2019 — My first three films—Angela, Personal Velocity, and The Ballad of Jack and Rose—are all mysteries of female identity, how it can be warped, destroyed, or saved, particularly in the context of family and sexual love. These films are highly charged...
May 28, 2019 — It has taken me forty years to appreciate the audacity of Agnès Varda in writing and directing One Sings, the Other Doesn’t (1977). Not only did Varda make her subject the most crucial and vexed issue of the feminist movement, at that...
The Daily
May 21, 2019 — Malick’s rendering of the true story of a conscientious objector has split the critics.
The Daily
May 17, 2019 — Ly’s fiery fiction feature debut alludes not only to Hugo but also to Fuqua, Kassovitz, and Spike Lee.
May 10, 2019 — The Heiress, one of the most intense psychological dramas to issue from 1940s Hollywood, unfolds almost entirely under one roof: that of the well-appointed Manhattan town house where tremulous Catherine Sloper (an Oscar-winning Olivia de Havilland) lives with her domineering...
The Daily
Jan 29, 2019 — The renowned composer made movie history with his collaborations with Jacques Demy, Agnès Varda, Jean-Luc Godard, Joseph Losey, and Barbra Streisand.