The Criterion Collection
Jun 22, 2026 — Deep Dives In 1971, upon the release of his first and only feature film, James Bidgood pulled a disappearing act. He had spent the better part of seven years shooting Pink Narcissus, a hallucinatory tale of a daydreaming gay hustler, on...
The Daily
Jun 11, 2026 — An adaptation of Night and Day follows two new reimaginings of Mrs. Dalloway.
The Daily
May 28, 2026 — Film at Lincoln Center and Cinecittà present two series back to back, Open Roads: New Italian Cinema and History, Italian Style.
The Daily
May 22, 2026 — This week brings a look back at Cronenberg’s Crash and conversations with Boots Riley and Wallace Shawn.
The Daily
May 21, 2026 — The Cannes sidebar wraps with prizes for three stories about teenage girls and another about a determined adult woman.
May 19, 2026 — “Last night, I was in the Kingdom of Shadows,” proclaimed Maxim Gorky, writing about an 1896 projection of films by Auguste and Louis Lumière in the Russian city of Nizhny Novgorod. “Suddenly a strange flicker passes through the screen and...
May 19, 2026 — Elevator doors open onto a warehouse floor bathed in red light, high above downtown Manhattan in early May 2024. Exposed concrete and visible ductwork frame a room where artists in green aprons, cosplaying as waiters, circulate among guests in suits...
Essays
May 12, 2026 — Sexuality—how one defines it, lives with it, hides it, shuns it, or wields it—is inextricable from matters of socioeconomic class, though rare is the American film that centralizes this intersectional reality. The foundational myth of the American dream puts forth...
The Daily
Apr 27, 2026 — The festival centered on experimental documentary and avant-garde film will roll out across five New York venues.
The Daily
Apr 24, 2026 — Great writing this week on Maurice Pialat, Paul Newman, Johnnie To, Mark Fisher, and wrestlers.